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Cake day: August 21st, 2023

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  • You’re being downvoted because people people think you’re being obtuse, but, as a person that overuses logical thinking to a diagnosable degree, my suspicion is that you’re doing that. Also because your tone is kind of…not good.

    The whole point of the Serenity Prayer (“accept the things I cannot change”) is that it includes “change the things I can” – so the things Davis is changing are things she CAN change, by definition.

    But her point is that she is reframing what she believes she can and cannot change. Recategorizing, if you will.

    She’s invoking the third part of the Serenity Prayer: the wisdom to know the difference. As we grow and learn, our wisdom increases, so the things that belong in the first two categories will shift.

    Things that used to be things that can’t be changed are becoming things that she can.

    To understand the quote, you just have to give it some space to breathe, and not be so logical about it.





  • First off, I was specifically addressing your concern about the car & it’s physicality. Value of physical objects is directly related to the scarcity of the resources; digital content pricing is skeuomorphic (sp?) at best and absolute bullshit at worst.

    Surely the sale of that copy of the movie has value

    Secondly (and thirdly in a sec), this is the fundamental misapprehension that surrounds piracy. Each instance of piracy does not mean one lost sale. In terms of music (I read a study about music piracy a few years ago), this is rarely the case, and in fact, it was the opposite: the study found that the albums that were pirated more resulted in more sales, since the album’s reach was extended.

    Thirdly, one of the core issues with the entertainment industry at the moment is that the streaming services have no way to gauge the draw of a specific show, movie, or song, since subscribers just don’t approach their subscription that way - you don’t subscribe to Spotify because your want to hear Virtual Cold by Polvo; you subscribe because you want to have access to their entire collection, as well as all the other awesome 90s noise/math rock - even though, let’s be honest, you really just listen to Virtual Cold over and over.

    As a result of this clusterfuck, streaming services can’t correctly apportion payment to their content - they do an elaborate split of the profits. So - the best way for the “content providers” (ie copyright holders) to increase profits is to reduce the amount of content on the streaming service - so the profits are spread over fewer titles.

    This is massively hurting the production companies - please note none of these fuckers are getting any sympathy from me, this is just an explanation - they’re having a hard time finding a balance between how much they can spend given that half of their productions’ profits are pennies. (Oops, forgot one element: because of streaming tech, no one buys films in tape or DVD or whatever - which was half of a film’s profit.) Do they make a bunch of huge budget action movie sequels that fill the theater seats? Or do they make smaller-budget films with smaller profit margins?

    It’s a shitty situation, and I don’t know what the answer is - but I know that the answer isn’t whatever the fuck this is. And, until they figure their shit out, I’m just going to step outside the market for a bit.

    I’m not living in some dream world where piracy doesn’t reduce profits. I know that the underground bands that I like are usually supportive of piracy because it helps them more than it hurts - and when it comes to film and TV, when those companies complain about piracy , it’s just like those bullshit shoplifting claims - attempts to turn their “line not go up” on poor people. Piracy is a grain of sand in the Sahara - they have way bigger problems than that - though I do think increased piracy metrics might help encourage them in the right direction.

    Anyway, if you got this far, I appreciate your time.







  • Why? He has no linguistic expertise, and he didn’t have the perspective of the format’s popularity when he made that decree. And his decision was based on intentionally infringing on copyright. And it intentionally goes against the intuitive pronunciation. And the term “gif” now even refers to files that aren’t even .gif - it’s way past him.

    This may sound harsh, and I want to acknowledge that he did something really awesome - but the Jif pronunciation will not survive once he, as a person, is forgotten. But the format will. It’s not his anymore.



  • So your argument is actually that people who pronounce it with a hard G have just never heard anyone say it.

    And we’re taking about dot-g-i-f, the format that is hugely shared as memes and as reactions in chats, a form so well known that it’s at Kleenex level of awareness - awareness that exceeds itself - ie, all other variants of this format (apng, animated webp, even webm) are called gifs.

    And you’re saying that most people, which is, given the prevalence of gifs, probably most of our species at this point - most of the sentient life forms in our solar system are aware of this format’s name… But we’ve just never heard anyone say it. Except for a small, vocal minority - who exist mostly on the Internet and are deeply online. Those are the only people who have heard it said out loud.

    And, in that impossible scenario, most of our species - who have, again, never heard it said it loud - billions of people - all, independently, came up with the same, supposedly incorrect, pronunciation.

    That’s your argument? I feel like your case would be stronger without it.

    It’s like intentionally taking a Principal Skinner stance - everyone else on earth is wrong. Except, at least Skinner was oblivious.

    There’s simply no justification for the jif pronunciation. There’s an explanation - ie, because the creator of the format wanted to float his success on the back of a peanut butter brand. And it didn’t even work - no one calls it “jif” and yet it’s probably got better name recognition than the peanut butter. But - even as weak as that explanation is, an explanation is not a justification. A justified pronunciation - even if it’s different from the original pronunciation, is one people natively come up with, and yet is always the same.


  • Pronunciation of words is decided by consensus - and while of course people mispronounce things, what that means is, they pronounce it differently from the accepted cultural norm.

    We don’t get all in a knot because Americans prove things differently from British people - even though they originally set the rules for English. And we don’t pronounce things the way we do because George Washington (being analogous to wilhite (or whatever his name was)) told us to; we pronounce things as we do because of cultural consensus.

    Wilhite’s intention was literally to use the name recognition of the peanut butter to further his own success - which, like, who cares - but the simple fact that he made that decision (and to be clear, regardless of our opinion on copyright, is a bad way to make the decision) strongly implies that he was aware that his pronunciation was unnatural.

    The fact that this conversation even comes up is proof that culturally we reject wilhite’s pronunciation. It’s a lost battle - the only reason I get involved in these threads is because I have a hard time watching the same 3 talking points (on both sides) and the same 3 rebuttals - all of which attempt seem to use facts and logic to determine “correct” pronunciation - when the truth is, the pronunciation has already been decided, and soft-G pronounces deserve to understand it.